Johan Figueroa-González, Park Performer for Two Years, Fixture at the Arch Now Prohibited from Monument
Washington Square Park’s “living statue” and park regular, Ídem Caeli, was arrested on the Arch by the New York City Police Department Friday April 13 for performing on the monument. Caeli, whose real name is Johan Figueroa-González, was the subject of an extensive New York Times profile in November focusing on his performance on the Arch. He has been utilizing the Arch for his art since last year, even while Ai Weiwei’s exhibit was allowed to take over the space beneath it for four months.
Calie posted about the arrest and imprisonment on Instagram last night. He told WSP Blog: “I was arrested last Friday. My case is still in court. They took everything from me in the middle of my performance: money, uniforms, cellphone. My question is why? Michael Wilson from The New York Times wrote an article about my performance on the Arch and now it‘s looking like something illegal because I was performing on a national monument? Ai Weiwei took the Arch in a period of four months.”
Yes, the question is… why now? And who decided?
Prohibited from Performing on the Arch | Arch Recently Graffiti‘d
Caeli was first given a warning by the police officers on Friday but he said he “rejected to leave the Arch because I was performing.”
The police pulled him off the Arch and he was in jail “for 30 hours.”
After all this time of utilizing the Arch in this way, it is curious that this decision to prohibit his performance occurs now, especially after Ai Weiwei was allowed to take over the Arch 24/7 from October through February, in a case of corporately sponsored art (which garnered controversy for its lack of community input) vs. grassroots/street art.
Recent graffiti on the Arch, somehow connected to this decision..?
In the New York Times article, Calie spoke of the park ecosystem:
He had heard of Central Park and wanted to visit to scout performance spaces, but he didn’t know where it was. Someone suggested Washington Square instead, with its tradition of performers. …
He was unfamiliar with the park’s performer ecosystem. “The sand man told me, ‘That’s my space,’” he said, recalling the artist who made murals with colored powder. “I put the pedestal close to the fountain and the musicians told me, ‘You’re too close.’”
He approached the Washington Arch and climbed on. “My feet fit in the bottom ledge,” he said.
He reached up.
“When I extend my hands,” he said, “everything is where it’s supposed to be.”
Before a performance, Mr. Figueroa-González spends about two hours near the arch, getting ready. He neatly applies white paint on his face and narrow frame, then dusts himself with a layer of baby powder or flour to create the texture of a sculpture.
He wraps a gray cloth over his buzz cut and shapes it like a statue’s headpiece, using pins to keep its shape. When he’s ready, he approaches the arch with flourish and bows.